Home / Apple / Aerosmith: Deuces Are Wild: A back-stage look at the advanced audio technology in a unique live show

Aerosmith: Deuces Are Wild: A back-stage look at the advanced audio technology in a unique live show

Unless you have lived in the grid for the past 50 years, you know that Aerosmith is one of the most popular rock bands of all time. Megahits like "Dream On", "Dude (Likes A Lady)", "Sweet Emotion", "Walk This Way," and many others have permeated pop culture during the band's tenure for nearly half a century.

Like many other superstars, Aerosmith recently inaugurated a residence in Las Vegas. During several three-week stints throughout the year, they stick out in a newly built 5,200-seat theater at the Park MGM Hotel (formerly Monte Carlo). Dubbed The Deuces Are Wild show contains some super cool technology, so when I was offered the opportunity to take a backstage tour before joining a show, I jumped on a plane and went to the entertainment capital of World.

Immersive live audio

Producer Steve Dixon wanted to base the show on two unique building blocks: to see Aerosmith like never before and hear them like never before. A central element of this vision is the radically different living sound system. Most major concert venues have two or three line breaks of speakers suspended, or "flown" high above the stage. Unfortunately, the majority of the audience is not in the middle of the room, so they mostly hear only one of the arrays – a real bummer if the show is mixed in stereo, as many are.

<img src = "https://images.idgesg.net/images/article/2019/07/aerosmith-acoustic-treatments-100801569-large.jpg" border = "0" alt = "Acoustic acoustic treatment [19659006] Scott Wilkinson / IDG

The Park MGM Theater's acoustic treatments include overhead panels and the curved baffle behind the front line's arrays. The suspended numbers originate as the band performs "Toys."

To solve this problem, Steve L- Acoustics, a French company that created first line sizes in the 1970s and 80s; in fact, Aerosmith was among the first groups to use them then, the company's latest innovation being called L-ISA Immersive Hyperreal Sound. Live performance, just like Dolby Atmos and DTS: X for movies, assembles speakers all over the room and uses a sophisticated processor to place vowels and instruments anywhere in the 3D environment.

For the Aerosmith residence, nine line arrangements flown over sc one, 38 surround speakers mounted on the edge of the balcony (some facing back to the fire under the balcony), 22 speakers and 24 subwoofers. All of these speakers are permanently installed in the theater – no one wanted to load everything in every time Aerosmith was in town! (Still, it takes two days to load and set up the show, instead of the more typical eight hours.)

 Aerosmith Steven Tyler Vip Scott Wilkinson / IDG

Aerosmith lead singer Steven Tyler mug in front of the VIP audience.

The location and movement of individual sounds can be automated or controlled manually using a joystick. Many of the songs have automated placement, but there is still a lot of manual mixing. This requires a front-of-house mixer, an L-ISA engineer and two monitor mixers, all led by Paul Hicks, who also worked at Cirque du Soleil's Love show at Mirage.

Steve also contacted THX, who was involved in the design of the audio system and room acoustics to optimize the SPL (sound pressure level) uniformity, power bandwidth and intelligibility. Deuces Are Wild is the first THX certified hit delivery with the L-ISA system; In fact, THX re-certifies the experience before every three weeks stint begins. (THX also certified Beyonce's Formation World Tour in 2016, but it was the "only" stereo and it had to deal with different venues.)

 Aerosmith St Monitor Mix Scott Wilkinson / IDG [19659007] Here you can see some of Kory Lute's, Steven Tyler's monitor mix engineer, behind Mikey McDonald, the display technology.

VIPs on the side

Another element of Steve Dixon's vision of seeing and hearing Aerosmith like never before is having some of the audience on stage with the band. The scene is 140 feet wide, twice the width of a typical arena scene. VIP seating is available on both sides, with plenty of extra floor space for showgoers to dance. There is also a bar on each side, allowing fans to slacken their thirst after sweating. Even better, the band's members gather with the lucky few, take self-help and even bring one or two to the main stage during the show.

When I heard about this, my first thought was, "It's cool, but the sound must be horrible!" Normally, it would be because PA systems are designed to serve the public in in front of the band – not on the wings of the scene itself. But not in this case, thanks to a brilliant solution: Give everyone in these VIP sections their own in-ear displays! Yes, everyone gets their own pair 1More Triple Driver IEM of the most popular models available today, and the first IEMs are THX certified – along with an Apple iPod running an app that receives a Wi-Fi Fi signal that communicates the sound. Each person can control the level they hear, and they can even choose the main house mix or lead songs Steven Tyler's monitor mix. "width =" 1200 "height =" 800 "data-imageid =" 100801566 "data-license =" IDG "/> Scott Wilkinson / IDG

All audiences in the VIP sections get a special mark 1More Triple Driver IEM Package

The dedicated, closed Wi-Fi broadcast system is delivered and operated by Mixhalo, it does not use the site's Wi-Fi network at all, a proprietary server is connected to the output of a mixer or PA The system and sound are compressed and packaged using a proprietary protocol designed for resilient operation and insignificant latency, the data is then transmitted via Mixhalo antennas designed specifically for real-time data transfer to theoretically an unlimited number of devices running the Mixhalo app.

The system uses the less crowded 5GHz frequency band, and the Aerosmith show only needs two access points to operate the sound to around 230 audiences in the VIP sections, currently Mixhalo Apple iPods pre-loaded with the app and IEM to public members, s whether to return iPods at the end of the show, even if they will keep 1More Triple Drivers.

<img src = "https://images.idgesg.net/images/article/2019/07/aerosmith-tyler-and-perry-2-100801580-large.jpg" border = "0" alt = " Aerosmith Tyler and Perry 2 [19659000] Scott Wilkinson / IDG

Aerosmiths Joe Perry (left) and Steven Tyler harmonize during a performance by Aerosmith: Deuces is Wild at MGM Park Resort in Las Vegas. ] Representatives from Mixhalo and 1Mer are present before showtime to help VIP members members choose the best eartips for them, ensuring a good seal that blocks the surrounding sound from getting into their ears as much as possible. is essential for achieving high quality sound under such conditions.

In the future, Mixhalo plans to allow showgoers to download the app to whatever device they want, and even bring their own headphones. that many more audiences can enjoy the benefits of personal sound at live events n this be the future of live concerts – all listening to headphones without PA at all?

 Aerosmith front array Scott Wilkinson / IDG

Nine linear arrays of speakers are flown high above the stage front as part of the L-ISA sound system.

Being in the main audience and VIP sections is obviously two different experiences. The main audience hears striking 3D sound and sees all the visual effects created by Pixomondo, a visual effects company that also worked with Game of Thrones and Fast & Furious franchises. On the other hand, they belong in the VIP sections with 2-channel sound, and they do not have a good view of the pictures, but they are up and very personal with the band, and they can control the volume of what they hear.

It's showtime!

I wanted to try both experiences, so THX made sure I got room in the main theater and in the VIP section on the stage again. Before the show started, I got my iPod and IEM, which I installed my favorite eartips on – the 14.5mm silicone tips supplied with 1More Triple Drivers. They are the biggest tips offered with that model and they give me an excellent seal; In fact, I use them on many of the IEMs I consider for TechHive and Macworld. Of course, one of the other sizes may seem better to you.

I started in the main theater. The preview is a 28-minute movie about the band, allowing plenty of time to lower before the actual performance. The film contains excerpts from Aerosmith masters who had been rescued from total aggravation and restored on Abbey Road by none other than Giles Martin, son of legendary Beatles producer George Martin, who had also worked with the Beatles music of Cirque du Soleil

 Aerosmith surround close-up Scott Wilkinson / IDG

Several speakers are aimed at the audience sitting under the balcony overhang.

Then came Aerosmith, and it was time to rock! The discouraging sound was quite effective, with the sounds of instruments and vowels appearing from all over the world, but not in a hokey-constructed way. The entire 3D audio stage was continuous and smooth. Also the sound quality was excellent, very clean and clear.

However, it was brutally loud and forced me to put in the earplugs after just a minute or so. Unfortunately, even custom musical ear plugs like mine greatly reduce accurate directional signals, making the submerging sound system much less effective for me.

Within half an hour, my SPL targeting AudioTools on an iPhone XS reported many overloads. When I downloaded the measurement results, they showed a Leq (average RMS level throughout the measurement run) of 107.7 dBZ (flat), 103.9 dBA and 106.8 dBC. Lmax (maximum 1 second RMS level) was 116.9 dBZ, L50 (level exceeded 50 percent of time) was 106.8 dBZ, and L90 (level exceeded 90 percent of time) was 99.3 dBZ. It is far too high for me to tolerate for more than a minute, and according to the Centers for Disease Control and Prevention (CDC) it can cause permanent hearing damage in as little as five to fifteen minutes.

<img src = "https://images.idgesg.net/images/article/2019/07/aerosmith-joe-perry-100801582-large.jpg" border = "0" alt = "aerosmith joe perry [19659045] Scott Wilkinson / IDG

Aerosmith's Joe Perry moaning at his guitar.

After about five or six songs, I moved over to the VIP department, removed my earplugs and put in the IEMs, luckily iPod starts at minimum volume, and I noticed that even with a good seal, I heard a lot of leakage from the house sound system, and when I turned up the iPod volume, the sound surpassed the surrounding sound, and it was not nearly as loud as it had been in the main audience.

better was the sound quality of the 1More Triple Driver IEM outstanding, with excellent clarity from deep bass to high treble. I switched back and forth between the house mix and Steven Tyler's screen mix, and I found myself preferring Steven Tyler's mix, where his voice was more on upfront (natch!), and I could understand the text better. [1 9659002] Although I listened to IEM, I measured about 15 minutes of the ambient level in the VIP section, which was slightly lower than it was in the main audience. Leq was 105.4 dBZ, 100.3 dBA and 105.0 dBC; Lmax was 114.7 dBZ; L50 was 104.3 dBZ; and L90 was 97.1 dBZ. It is still dangerously loud, but you have some protection if the IEMs achieve a good seal in your ears as long as you do not hover your iPod to max.

 Aerosmith ipod Scott Wilkinson / IDG

The 1 Multiple Triple Driver IEM plugs plug into Apple iPods that run the Mixhalo app to receive the display of Wi-Fi sound. Users can choose the main house mix or Steven Tyler's screen mix.

iPod worked flawlessly for me, but some of my other VIPs reported that the sound dropped several times for them. The Mixhalo and 1More team quickly solved the issues, reboot or even replace iPods as needed. After the show, they told us that iPods had been used for the Aerosmith residence a total of 17 times up to that time, and they had also been used in a Metallica concert before, so that they had taken a long time blow. Of course, a better solution would be to have concert ideas download the app to their own devices and use them.

Apart from the painful volume levels, Aerosmith: Deuces Are Wild is a wonderful show. None of the five core members – Steven Tyler (vocals), Joe Perry (guitar), Brad Whitford (guitar), Tom Hamilton (bass) and Joey Kramer (drums) seem to have lost a step even though they age from 67 to 71, and Steven Tyler had knee-replacement surgery in 2013. They can still rock the house great time!

 aerosmith monitor mix Scott Wilkinson / IDG

Andrew Bongardt gives the screen mix for the rest of the band.

Want to go?

The show has packed two of its four stints for 2019, but there are two more before the end of the year. Here are the dates:

Sept. 21, 23, 26, 28

oct. 1, 3, 6, 8

nov. 14, 16, 19, 21, 24, 26, 29

Dec. 1, 4

According to Live Nation, the organizer of the show "Tickets for performances by Aerosmith: Deuces Are Wild until December 2019 is on sale now. Tickets starting at $ 75, as well as VIP packages, including meeting-and-greets, and the THX Certified onstage VIP experience can be purchased at any Ticketmaster outlet or online at ticketmaster.com/aerosmith."

Live Nation also says the ticket prices vary by show date and other factors. Looking at Ticketmaster prices for September 21st, the prices range from $ 178 in the corner of the balcony to $ 4,513 for a front-runner in the main group. VIP seats on the stage range from $ 822 to $ 2542. In addition, there are various package deals, including meeting and greeting the band, that cost even more.

It's a serious pile of money, but if you're a hard-core Aerosmith fan, it might well be worth it. Just be sure to bring some ear plugs – or spring for the VIP seats on site – to protect your hearing. Well, maybe you're thinking, "Screw it, rock and roll are all about abundance in everything, including volume!" But I wonder if you will still feel that way when your ring in your ears is permanent and you can't hear what people are talking about. Don't say I didn't warn you.

Source link