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Good as you by Kane Brown on iTunes



"Coming from my first album, I still felt unacceptable by Nashville," Kane Brown said to Apple Music shortly before the release of his second LP, Experiment . "So for this album it was like a second chance."

In a genre that was sometimes criticized as conservative, Brown stood out from the beginning. Yes, he looked differently heavily tattooed, rocket diamond drying, mixed race in a predominantly white scene – but his career was just as new in Nashville standards: Georgia natives got fans and record label interest by posting video on Facebook, rather than developing through the regular industrial machine. "People have a picture of what they think the country will look like," Brown said. "They look at my tattoos and my style I wear, my clothes and earrings, and it's always," Oh, Waylon and Cash roll in their grave right now. Just put on a cowboy hat. Where's your belt buckles? "And I'm like," It's not me. Why be something I am not? ""

But Brown's image and career path has hidden the fact that when he comes to his actual music, he does not cast out modern conventions in the country ̵

1; he fetches them. He has a warm and deep voice in the classic Nashville mold, and he and his talented band favors a sheer mix of land and classic rock, with banjo sitting comfortably with electric guitar and heavy drums; album opener "Baby Come Back to Me" borrows even the college students back from the Queen's "We will rock you." Like his self-serving freshman album, it is nodding to hip-hop and R&B watch trap hi-hats on "American Bad Dream" or Mint Condition-esque bands hitting "Weekend" – but these songs are undeniable land. Brown may have started out as a Nashville outsider, but he gets home.


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