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Lost it by Kane Brown on Apple Music



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"Coming from my first album, I still not accepted by Nashville," starred star Kane Brown to Apple Music shortly before releasing his second LP, Experiment . "So for this album, it was like a new shot."

In a genre that was sometimes criticized as conservative, Brown stood from the beginning. Yes, he saw different heavily tattooed rocking diamond thirsts, mixed race on a predominantly white scene ̵

1; but his career was just as new to Nashville standards: Georgia-native got fans and the record company's interest by posting video on Facebook, rather than developing fully recover from the usual industrial machine. "People have a picture of what they think the country should look like," Brown said. "They look at my tattoos and my style I wear, my clothes and earrings, and it's always," Oh, Waylon and Cash are rolling in their grave right now. Just put a cowboy hat on. Where are your belt buckles? And I'm like, "It's not me. Why be something I'm not? "

But Brown's image and career path has concealed the fact that when he comes to his actual music, he does not cast out today's conventions in the country – he fetches them. He has a warm, deep voice in the classic Nashville mold, and he and his talented band favors a pure mix of country and classical rock, with banjoes that sit comfortably with electric guitar and heavy drums; album opener "Baby Come Back to Me" even borrows college dummies from Queen's "We Will Rock You." Like his self-employed freshman album, it's hard to hip-hop and R & B watch the hi-hats on "American Bad Dream" or Mint Condition-esque bands hit "Weekend" – but these songs are undeniable. Brown may have started as a Nashville outsiders, but he is home.


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